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'I know it’s over, still I cling'
The Scottish Union for Education. 12 Views on Scottish education Delighted to have my article republished in the Scottish Union for...
Back to the Old House
Kelvingrove Art Gallery and Museum's new permanent exhibition, Glasgow - City of Empire is a shameful piece of Social Justice propaganda...
Death of a Disco Dancer (2011 Remaster)
The ‘social purpose’ university - social engineering by another name. Towards the end of last year, the University of the Arts London...
The Boy with the Thorn in His Side
A late, late, late review of Richard Mosse’s exhibition, ‘Broken Spectre’. The sole purpose of my last, flying visit to London, was to...
Girlfriend in a Coma
A new Marilyn Monroe-inspired film has been woefully misunderstood. The new Netflix film, Blonde, has sparked an extraordinary and...
This Night Has Opened My Eyes
The Turner Prize is now a tool of woke. ‘And the winner of the 2021 Turner Prize for best contemporary British artist is…’ irrelevant. Of...
These Things Take Time
Decolonising design: It’s not racism that has led us to celebrate the London tube map or the ‘I “love” New York’ logo. The decolonisation...
Unloveable (2011, Remaster)
V&A Dundee was a source of civic pride. It’s now being turned into a source of guilt. Dundee, in eastern Scotland, is currently being...
Big Mouth Strikes Again
Street Art is a crime. So, why is the metropolitan elite celebrating this vandalism? Modernist architect Adolf Loos (1870-1933) wrote...
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